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Queer duo Tegan and Sara have been out for several years, but it was only on their last album, 2016's Love You to Death, that they released a single explicitly about the lesbian experience. "I had intended my songs to be more inclusive and use universal pronouns, as I thought that it would otherwise alienate straight audiences." "Not only was I embraced for being gay, I was encouraged to be vocal about my experience-namely, coming out in the church." But she said she felt the pressure to keep her subjects vague.
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career/artistic output will likely differ to most LGBTQ artists', just because my first and most known hit was explicitly about my sexuality," Lambert told. "I think my perspective of the dynamic of sexual expression vs.
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#WHAT FIFTH HARMONY SONG DOES LAUREN SING IN THE MOST FULL#
Mary Lambert came into the spotlight with her chorus on Macklemore and Ryan Lewis' Grammy-nominated "Same Love." Her refrain included the line "She keeps me warm," which Lambert later turned into a full song that debuted at number 38 on the Billboard Adult Top 40 when released in 2014. The last decade has seen a rise in openly out musicians. These artists, who came out early in their careers, were known as "lesbians" as much as they were "musicians." And even their lyrics weren't gender-specific, containing no references to female lovers that might alienate prospective straight fans. lang, Melissa Etheridge, or the Indigo Girls. Their successes are notable, and their fan bases diverse-arguably more so than those of other queer musicians like k.d. While Halsey and Jauregui are certainly not the first openly LGBTQ-identified musicians, they are two of the few whose talent hasn't been defined by their sexuality. It's very rare to see it from a female perspective." "I just love that Lauren and I are two women who have a mainstream pop presence doing a love song for the LGBTQ community," Halsey said during a recent interview with Zach Sang and the Gang. Being able to sing along with a song without having to alter pronouns or assume the "male" role offers an opportunity for a community often treated as abnormal to truly feel part of something as ostensibly universal and inclusive as music. "That kind of narrative and that emotional aspect of hasn't been touched upon at all, especially in pop music." Hearing a woman address another woman in pop gives queer listeners the recognition they so rarely receive. "This song is a love song we're singing to each other," Jauregui said. "We want to just make music that impacts people-we don't really care about the rest."Īnother thing that makes "Strangers" so special is that it's not just about sexuality. So when Halsey (née Ashley Nicolette Frangipane) and Fifth Harmony's Lauren Jauregui explicitly croon female pronouns and sensual lyrics to and about women on their new track, it's not just a new take on the female-female duet it's revolutionary. And while Britney Spears and Madonna have employed similar tactics for performances and music videos, lesbian, bisexual, and queer women have been largely left out. Instead of representing real romance between women, pop music has given us thinly veiled Sapphic scenarios by the likes of Katy Perry and Demi Lovato: winks to same-sex attraction without any positive or truthful visibility for a population that is often ignored by mainstream culture. But it's rare for a song featuring two women to pass the Bechdel Test, and when it does, it's not generally because the women are interested in one another. When two female pop stars sing a duet, the themes can vary from empowerment (Lady Gaga and Beyonce's "Telephone") to friendship (Whitney Houston and CeCe Winans on "Count on Me") to feuding over a mutual love interest (Brandy and Monica's "The Boy is Mine").